With phenomenal underwater footage that realizes the pandemonium of wild animals run loose on a slippery vessel, the intense and supremely well-crafted scene of the ship’s demise is perhaps the best of its kind since “Titanic.” It’s the first of several disorienting moments of lyrical beautiful to transcend the clumsy screenplay. Once the family decides to leave the zoo and set sail for Canada with their menagerie in tow, “Life of Pi” enters into a fantasy realm enhanced by the surrounding waves, which eventually subsume the weak ship. The early scenes that establish the adolescent Pi’s burgeoning interest in world religions despite his strict father’s disdain move swiftly along, aided by the exotic backdrop the zoo provides. At its core, “Life of Pi” revolves around one man’s ongoing attempt to reconcile his spiritual tendencies with an awareness of nature’s inherently chaotic state (in the book, the character double-majored in zoology and religious studies). Whenever Lee abandons the contemporary setting, the movie successfully funnels its thematic conceits into an involving high seas epic. Notwithstanding Pi’s constant voiceover, Lee’s insistence on returning to Pi’s austere living room throughout his tale constantly interrupts the allure of a significantly engaging parable. READ MORE: New York Film Festival: Highlights From The Press Conference For Instant Oscar Frontrunner ‘Life of Pi’īut when the movie flashes forward a number of years to find an adult Pi (Irrfan Khan) living comfortably in Canada and recounting his incredible experience to a wide-eyed journalist Rafe Spall), “Life of Pi” introduces a sloppy framing device that instantly drags the exposition into problematic territory. Where to Watch This Week’s New Movies, from ‘Joy Ride’ to ‘Earth Mama’
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